My first baby just graduated from eighth grade.
How does that happen? I remember a decade and a half ago the pregnancy test coming up positive, and telling Ian, and then telling my grandma (who cried). I remember talking to Aden in my belly and enjoying having her with me everywhere I went even though I hadn't seen her yet. I remember the baby who smiled at me for real at three weeks old, and who had full blown empathy at four months.
I remember a little girl starting at her public Montessori school who refused to walk down to her kindergarten classroom in the basement unaccompanied, which was a problem in the winter for her pregnant mom with the toddler in tow and a husband deployed in Iraq. That problem was eventually solved by her finding a friend to walk with her. That same friend was one of the last she walked out of the school with after graduation.
I can't believe time can come crashing all together like this. Hundreds of trips in and out of that school, no particular one looking like a milestone, and yet she started as a tiny four-year-old I could scoop into my arms, and came out an impressive young woman who performed a violin solo on the stage for the graduating class and left clutching a certificate. I am overwhelmed.
Sunday, June 12, 2016
Pigs in Space
Labels:
Aden,
art,
Fernwood,
graduation,
high school,
High School of the Arts,
Montessori,
Muppets,
Pigs in Space,
puppets,
school,
slideshow,
Sustainability
Sunday, June 5, 2016
Rethinking the Kitchen
We've decided to take the plunge and remodel our kitchen.
We've been trying to figure out what to do with it for the past year or so, because it's sort of all or nothing, which is daunting. The counter tops have reached a crisis level where they are buckling, one of them is burned, and the edges are falling off to the point where if we don't keep screwing in one section with bigger and bigger screws the dishwasher falls out. Plus they are just not attractive or all that practical since they are textured.
The problem with just replacing the counters is that the layout of the kitchen is bad, and buying new counters to fit that layout sort of seals it in for a long time to come. We looked into getting all of it rearranged.
After getting some estimates last year it looked like there was no way we could afford it. Which was a shame, because now is when we use the kitchen. Now is when we have three kids all living at home, now is when we host meal-heavy holidays like Thanksgiving, now is when we are cranking out cakes for birthdays and cookies for recitals, now is when we actively use the whole kitchen all the time. We could wait until the kids are grown and gone but by then I may not care much. A new kitchen for just me and Ian would be a luxury by then, not a necessity, and there are other things I would rather spend money on.
When a new kitchen seemed out of reach I decided I was content to simply get new counters and a new sink and then work with Ian one cabinet and drawer at a time to replace all the crumbling hardware and make them work at least a little better.
But finances work in mysterious ways sometimes! Business was worse for us last year. Which ironically means we now can (just barely) afford to do the kitchen because something about not having to do estimated taxes every month something something. (This seems completely messed up to me that if we had done better last year we would have less money for such a project. I will just keep working on my violins and try not to think about that too hard.) When Ian got the final word on our taxes this year he gave me the unexpected green light on the kitchen.
New kitchen! I can barely believe it's going to happen.
So what is so wrong with our kitchen?
We've been trying to figure out what to do with it for the past year or so, because it's sort of all or nothing, which is daunting. The counter tops have reached a crisis level where they are buckling, one of them is burned, and the edges are falling off to the point where if we don't keep screwing in one section with bigger and bigger screws the dishwasher falls out. Plus they are just not attractive or all that practical since they are textured.
The problem with just replacing the counters is that the layout of the kitchen is bad, and buying new counters to fit that layout sort of seals it in for a long time to come. We looked into getting all of it rearranged.
After getting some estimates last year it looked like there was no way we could afford it. Which was a shame, because now is when we use the kitchen. Now is when we have three kids all living at home, now is when we host meal-heavy holidays like Thanksgiving, now is when we are cranking out cakes for birthdays and cookies for recitals, now is when we actively use the whole kitchen all the time. We could wait until the kids are grown and gone but by then I may not care much. A new kitchen for just me and Ian would be a luxury by then, not a necessity, and there are other things I would rather spend money on.
When a new kitchen seemed out of reach I decided I was content to simply get new counters and a new sink and then work with Ian one cabinet and drawer at a time to replace all the crumbling hardware and make them work at least a little better.
But finances work in mysterious ways sometimes! Business was worse for us last year. Which ironically means we now can (just barely) afford to do the kitchen because something about not having to do estimated taxes every month something something. (This seems completely messed up to me that if we had done better last year we would have less money for such a project. I will just keep working on my violins and try not to think about that too hard.) When Ian got the final word on our taxes this year he gave me the unexpected green light on the kitchen.
New kitchen! I can barely believe it's going to happen.
So what is so wrong with our kitchen?
Monday, May 30, 2016
"Happy" Memorial Day
I have a friend for whom wishes of a "Happy Memorial Day" or a "Happy Veterans' Day" really grate on her nerves. These are not bubbly greeting card holidays. They are meant to be secular versions of true "holy days" used to contemplate sacrifices made on our behalf. For many they are simply a chance to enjoy a little time off, but my son finds it amusing that people could overlook their intended meaning and usually takes a moment to try and suppress laughter while saying, "Hey, Mom! 'Happy' Memorial Day!"
I don't usually write posts on Memorial Day. I felt obligated to do so when I was a blogger for Babble and their only resident military family voice, and this post on the subject still expresses how I feel most accurately. But I decided I will take a moment today to acknowledge what things have changed, for better or worse, since I wrote that Memorial Day post back in 2010.
I don't usually write posts on Memorial Day. I felt obligated to do so when I was a blogger for Babble and their only resident military family voice, and this post on the subject still expresses how I feel most accurately. But I decided I will take a moment today to acknowledge what things have changed, for better or worse, since I wrote that Memorial Day post back in 2010.
Labels:
Army,
cake,
deployment,
gender reveal,
holiday,
Memorial Day
Thursday, May 26, 2016
Latin Review
Come June, Quinn and I will have been taking Latin for one year. It's one hour a week after school up at the university, with usually one week off a month for a scheduling conflict. The teacher is wonderful, and Quinn and I meet him in a study room at the library.
It's fun having that bit of time with just Quinn. We have a routine that involves laughing over whether the parking meter will give us a receipt or not (it rarely does, so Quinn collects the ones we do get), pretending to trip over a mysterious bit of useless curb on the way to the library, and critiquing the selections in the vending machine if we have to wait for our lesson. (Observation about candy choices: Most of them are variations anymore. There are usually a couple of kinds of Starburst, a few different M&Ms, consistently three types of Skittles, a variety of Cheetos, several shapes of pretzels... The Snickers even come in different versions now. The only unique selections seem to be the Reese's Cups and the odd Take 5 or Zero bar. You're welcome.)
We also got a good laugh one day out of a whole bunch of caution signs in the entryway which looked like they presented more of a hazard than they were attempting to prevent. Quinn and I find amusement everywhere, so even without the actual Latin lessons we enjoy our weekly outing.
I hadn't planned on taking Latin myself, and it's humbling to watch Quinn do so much better with it than I do. I can't tell if it's because I'm just old, or if he's that much smarter than I am. (Probably both.) Regardless, Latin has turned out to be really enjoyable.
![]() |
| Quinn by our parking meter |
![]() |
| Quinn on the tiny curb |
We also got a good laugh one day out of a whole bunch of caution signs in the entryway which looked like they presented more of a hazard than they were attempting to prevent. Quinn and I find amusement everywhere, so even without the actual Latin lessons we enjoy our weekly outing. I hadn't planned on taking Latin myself, and it's humbling to watch Quinn do so much better with it than I do. I can't tell if it's because I'm just old, or if he's that much smarter than I am. (Probably both.) Regardless, Latin has turned out to be really enjoyable.
Thursday, May 19, 2016
"That's good, right?"
I'm reluctant to hit "publish" on this post because it's one of those things where I know someone out there will think I am whining, and I'm not. I just feel like putting into words part of my experience that I think is misunderstood.
Let me start by saying I love my work. I am very lucky to get to do what I enjoy, and to run a business with my husband. That's all good. I don't take any of those good things for granted.
But.
I am swamped lately. Swamped isn't fun. And when people ask anymore how business is going and I say it's really busy they nearly all look pleased for me and say the same thing: "That's good, right?"
Let me start by saying I love my work. I am very lucky to get to do what I enjoy, and to run a business with my husband. That's all good. I don't take any of those good things for granted.
But.
I am swamped lately. Swamped isn't fun. And when people ask anymore how business is going and I say it's really busy they nearly all look pleased for me and say the same thing: "That's good, right?"
Labels:
busy,
Korinthian Violins,
repairs,
violin store,
violins,
work
Tuesday, May 10, 2016
Clef Pride
I love playing the viola.
I don't love having to constantly explain what a viola is, but I figure with each person I take the time to tell, that's one more potential viola fan, so it's worth the effort.
One of the things that makes playing viola somewhat special is that we use an unusual clef. Violists use alto clef. "What's that?" the non-violists out there may be asking? Well, let's start by just explaining what clefs in general are:
Most people are familiar with a "treble" or "G" clef. It gets used often as a symbol for all music, even though it only applies to music in the upper register. A good many people also recognize the "bass" or "F" clef, which applies to music in the lower register. (Pianists use both of these at once, with the right hand usually playing in treble clef, and the left usually in bass.)
The job of a clef is to tell you what the lines and spaces on the staff mean. (The staff is that set of five lines and four spaces that the notes are arranged on.) Now, clefs are technically moveable, which is why they have more than one name. A "treble clef" is really only called that when it is set on the staff in the position where we are most accustomed to seeing it. The important part of that symbol is the tail bit on the inside of the spiral, because it overlaps the second line up from the bottom of the staff which is the note G above middle C. This is why just on its own away from a staff it's really a "G clef" because its job is to show you where G is, but it rarely if ever moves, so calling it a treble clef is fine. If you moved that symbol higher or lower on the staff you'd be shifting the designated location of that G, and therefore all of the other notes as well. (The "bass" or "F" clef shows you where the note F below middle C is--it's the line between the two dots. It also rarely moves.)
I don't love having to constantly explain what a viola is, but I figure with each person I take the time to tell, that's one more potential viola fan, so it's worth the effort.
One of the things that makes playing viola somewhat special is that we use an unusual clef. Violists use alto clef. "What's that?" the non-violists out there may be asking? Well, let's start by just explaining what clefs in general are:
![]() |
| Alto, Treble, Bass, and Tenor Clefs |
The job of a clef is to tell you what the lines and spaces on the staff mean. (The staff is that set of five lines and four spaces that the notes are arranged on.) Now, clefs are technically moveable, which is why they have more than one name. A "treble clef" is really only called that when it is set on the staff in the position where we are most accustomed to seeing it. The important part of that symbol is the tail bit on the inside of the spiral, because it overlaps the second line up from the bottom of the staff which is the note G above middle C. This is why just on its own away from a staff it's really a "G clef" because its job is to show you where G is, but it rarely if ever moves, so calling it a treble clef is fine. If you moved that symbol higher or lower on the staff you'd be shifting the designated location of that G, and therefore all of the other notes as well. (The "bass" or "F" clef shows you where the note F below middle C is--it's the line between the two dots. It also rarely moves.)
Wednesday, May 4, 2016
Varnishing in Chicago
In April I was lucky enough to attend a week-long violin varnishing workshop. I really enjoyed the one I attended three years ago in Boston, and decided the time was right to repeat the experience. Only after I committed to it did I find out that this year they were holding it in Chicago!

On the one hand, that was great because it was incredibly convenient. For nearly all of it I commuted home at night, which meant I was able to still attend an evening orchestra rehearsal, I could check in with the kids in person, and sleep in my own bed. On the other hand, driving back and forth to Chicago every day was exhausting, and there is something to packing up and leaving town and not being distracted by your normal everyday life while trying to immerse yourself in another experience. Overall, though, it was great to have the workshop so comparatively close.
The workshop was held at the Chicago School of Violin Making. I have several friends who got their training there, and my own teacher taught at CSVM for years before moving to Wisconsin which is where he took me on as a student. I enjoyed having a chance to work in that space for a week and get a feel for what that environment is like.
The workshop was led again by Joe Robson, who is a varnish maker, and luthiers Marilyn Wallin and Todd Goldenburg. The dozen or so of us in attendance spanned the range from people oil varnishing for the first time to accomplished builders. It was a really pleasant and interesting group.


On the one hand, that was great because it was incredibly convenient. For nearly all of it I commuted home at night, which meant I was able to still attend an evening orchestra rehearsal, I could check in with the kids in person, and sleep in my own bed. On the other hand, driving back and forth to Chicago every day was exhausting, and there is something to packing up and leaving town and not being distracted by your normal everyday life while trying to immerse yourself in another experience. Overall, though, it was great to have the workshop so comparatively close.
The workshop was held at the Chicago School of Violin Making. I have several friends who got their training there, and my own teacher taught at CSVM for years before moving to Wisconsin which is where he took me on as a student. I enjoyed having a chance to work in that space for a week and get a feel for what that environment is like.The workshop was led again by Joe Robson, who is a varnish maker, and luthiers Marilyn Wallin and Todd Goldenburg. The dozen or so of us in attendance spanned the range from people oil varnishing for the first time to accomplished builders. It was a really pleasant and interesting group.

Labels:
Chicago,
Chicago School of Violin Making,
ground,
Joe Robson,
Joshua Beyer,
Marilyn Wallin,
pochette,
Todd Goldenburg,
turpentine,
varnish,
violins,
workshop
Subscribe to:
Posts (Atom)





