Violin Body

I've put in a lot of late nights recently because I want very much to work on my own instrument, but there just isn't time available to do it.  So I make time between 10 p.m. and 3 a.m.  This means some nights I only get about three or four hours of sleep, but I can do that for a while without a problem.  Eventually I kind of crash and go to bed really early one night which seems to catch me up, but for the most part the late night schedule works out.  I can focus without interruption.  (Or distraction.  When my kids are up I want to be with them, so it's better if I wait until they are all in bed.)

In any case, here is the progress I've made on the violin body I'm working on:

When last I posted about this instrument I'd finished carving the scroll, and had gotten as far as the purfling on the body.

Next up was to rough graduate the top plate, then do the f-holes.

F-holes are the sound holes cut into the top plate on either side of the bridge.  They need to be large enough to help sound escape from the inside of the instrument's body, but not so large that they compromise the structural integrity of the top.  The stems of the f-holes need to be wide enough to easily get a soundpost through.  (As a repair person I know this is essential, since I am someone who has to repeatedly do soundpost work on instruments once they are out in the world.  When I have to work with a violin where the f-holes are too narrow it makes my job more difficult than it should be, so I'm mindful not to inflict the same problem on others in future.)

Carving f-holes is tricky.  They are one of those elements of violin making where there is nowhere to hide.  You can tell a lot about a luthier's skill level by how he or she carves their f-holes.  F-holes by different makers have different characteristics, and this was my first time carving in the Amati style, so that was fun. 

Back to Work

I haven't done a lutherie update in a while.  Mostly because I have been distracted from my work of late.  Not so much from my work at the store, but my own building.  I was warned many years ago by another builder that once you open the door to doing repairs it becomes almost impossible to find time to build, and he was right.  As much as I appreciate the work when it comes to paying the bills, most of the time I wish people would simply take better care of their equipment and leave me more time to myself.

For instance, I worked on straightening this cello bridge this weekend:

For those who don't know what they should be seeing, the square I set on that cello top shows where the back of that bridge should be lining up.  When the top of a bridge starts to pull forward (usually from tightening the strings) and it's allowed to lean for an extended period of time, the pressure of the strings warps the wood.  Most of the time it can be steamed out and pressed flat again, but the bridge is left weaker and more vulnerable to warping in the future, so better not to let it get warped to begin with.  In any case, I'm amazed this particular bridge didn't snap.

I'm glad I can do repair work for people and keep their instruments running well, but after not getting much done this summer on the violin I'm supposed to be building (not to mention the one I'm supposed to be helping Aden build) I've decided this week to buckle down and get back to work.  So here's a run down for those who are interested in how my current violin is progressing.